This is a shot of the airplane set we used in the making of RED-EYE. It could be pulled apart and put back together, had walls that would come off for camera angles impossible on a real plane, and had a huge crane rail running its full length, hidden here above the overhead storage bins, but available for several key long tracking shots where the camera soars over the heads of the passengers to find Rachel in the middle of some new hell she has to deal with. It was cramped, but all you had to do was step outside and you were on a nice cozy sound stage.